I've spent the better part of three decades in film and video — finding the ninety seconds inside hours of footage that make someone lean in.
Most of that has been marketing work: trailers, TV spots, promos and campaign content for major Hollywood studios and streamers — including time in-house at Disney in Los Angeles — and for broadcasters and production companies here in the UK. The work is the marketing, not the productions themselves — take finished content, and cut the piece that sells it.
But the part I'm proudest of is the range. The same edit bay that handles a studio trailer can take a lone videographer's rough, uneven footage and turn it into something polished and broadcast-ready. Big scale or small, high gloss or raw source material — I make it work, and make it land.
I'm UK-based and take on select freelance projects, remote or hybrid. Fast turnarounds, tight briefs, and a marketer's instinct for what actually works.